How to draw a human sketch?

Sketches of a person occupy the first positions in importance in artistic practice among all types of rapid drawing. Sketch training occupies the main part of the overall process of studying academic design. It is aimed at solving several tasks in creating a full-fledged drawing of a person's figure and separately his head. Also, you can gradually explore the living form and expand your horizons with this technique. So, how to draw a sketch of a person?

Head

Mastering the technique of outline helps to learn to select and display on paper the most characteristic and typical features of the object of contemplation, thus transferring the deep content of nature.

A sketch of a person's head, performed from life, is obliged to convey movement and proportions. The picture can only be taken under the guidance of an experienced teacher. Therefore, the sketch of a person's pencil in early stages of training is recommended from a living figure, so the ratio of parts of the face and head is respected.

Start of work, choice of position

The small size of the outline contributes to the development of a sense of proportions and scales, training to determine the proportions of the human body.
Work on the outline of the figure takes place in a relaxed home environment as part of the process of creating an educational drawing. Before you begin the volumetric task, it is worthwhile to make a sketch for acquaintance with the form or figure. At the end, repeat the sketch of the person for fixing.

If any part of the form is not visible from your viewpoint, change the location and execute additional sketches. Make a sketch of a person in the profile, in the front and so on. The resulting drawing should acquire excellent conciseness and confidence in the image of nature. After some time, draw a sketch from memory, thus firmly fixing the acquired knowledge.

Such activities should necessarily be conducted when acquainted with a human figure. This contributes to the development of a constructive view of the figure and the implementation of the previously obtained anatomical basis.

Sketch of a man in simple poses

To begin work with sketches it is necessary, carrying out the sketch of the person in full growth, standing in a simple pose with the clear position of the hull. The sketch is given from 15 to 20 minutes. Try to familiarize yourself with the pose by making sketches from different locations relative to nature.

In the figure figure it is important to begin with determining the ratio of body weight to the plane of the legs. To do this, imagine a vertical from the inner ankle, on which you have all the load, upstairs. It determines the position of the remaining components of the figure.

Man sitting

A sketch of the sitting figure of a person requires determining the ratio of the reference plane and the direction of the hull, that is, the pelvic plus the femoral part and the torso. Do not forget to chart the seat.

It is necessary to take into account the fact that the legs inevitably contract if the figure in the figure is in half-turn or in full-face.

Do not forget that, despite the general physiological structure, the features of the figure are unique and are present in every case. They need to be shown in the figure. The degree of completeness of the drawing depends on its purpose, but the most important is to reflect the essential in nature.

Clothing in the sketch is displayed in general, and folds are transferred only those that emphasize the shape or movement. The integrity of the figure and figure above all else, but you need to perceive the nature entirely.

Nude figure

Nude nature is drawn indoors in a sketch along with a full-fledged drawing. Such sketches can easily be performed on the beach or in sports, and the speed of switching positions in such situations improves the generality of the vision.

To begin the sketch of the man of the naked follows with definition of basic places and proportions. Pay attention to the joints of the ankle and knee, as well as the wrist, elbow and shoulder, pubis, navel, breast nipples and finding the jugular fossa. Look for an inner connection in the ratio, not the point-crossing in the mechanical process.

It is important not to link your vision with relative boundary points, but to focus on strong points. To understand the plastic nature of the posture, it is necessary to realize the relationship between the contours of the shoulder and pelvic girdle. If the figure is standing on two legs, then the line of the pelvis is almost parallel to the floor, and if one leg is free of weight, then the pelvis leans towards it.

If you are placed in kind, determine the middle line. From the back, use the vertical of the spine, its mobility determines the position of the pelvic and shoulder girdles in different positions.

Further sketches are performed without the use of auxiliary methods in the construction of the figure. A person's sketch should confidently and freely broadcast nature.

The study time does not give a chance to study the plastic positions of the human figure by creating a long drawing. This problem is solved by additional independent studies on sketches. Skills worked out in this way will help to build story compositions with the inclusion of a person.

After exercises with simple poses, you should begin your studies with a naked male figure in the turn.

Complex positions, perspective

It is important to work out sketches of nature in complicated corners, tracing the middle line of the torso from the pubic to the head in the bend. The figure of the back provides attention to the spine.

Sketches of nudity in uneasy positions are aimed at consolidating knowledge about the transfer of promising reductions in a live form. It should be borne in mind that the outgoing surfaces are greatly reduced, and the frontal planes are displayed in natural size. The prospective reduction of living nature is based on the rules for constructing perspectives for simple geometric bodies.

Nature for such sketches is located in a half-lying position obliquely towards the artist, and the direction of the form goes deep. Sufficient removal of nature from the drawing helps to create the right proportions, otherwise they can be distorted. Such sketches should show the construction and harmony of the main forms, which are located in different angles with respect to you.

It is necessary to try to sketch a naked man in an active movement, for example, during the lifting of a load or the like. These sketches convey the relationship between the reference plane and the torso, as well as the tension in the involved muscles.

The staging of the two male figures should be based on a plastic relationship.

Conclusion

Draw at every free moment, practice in the sketches of the human body in a variety of poses and activities. For example, sketches of people at work should convey the characteristics of the profession or work process. Graphic tools should reflect even the relation of the worker to his work by means of laconicism and avarice of drawing. So, now you know how to draw a human sketch. Good luck in your work!