Yuri Butusov, theater director: the creative path and biography

Theater directors do not often become media faces, so Yury Butusov does not want to get into the secular chronicle. He works a lot, and the results of his work attract the attention of spectators and critics. Biography of the director is full of professional events.

Finding Yourself

Yuri Butusov was born in Gatchina on October 24, 1961, in a family that had nothing to do with the theater. He considers himself a St. Petersburg man, because it is in this city that his formation and formation as an artist takes place. Yuri Butusov - the director, who did not immediately find himself. He had not dreamed about the theater since childhood, although he was engaged in his youth in the studio, and he had other plans for life at school.

After graduation, he entered the Leningrad Shipbuilding Institute. After graduation she does not work for a long time in her specialty, she does not bring work satisfaction, Yuri tries himself in different professions, even seriously takes a great interest in equestrian sport. Searches lead him to the very famous in Leningrad Theater "Crossroads" Veniamin Filshtinsky, and he even tries to enter the acting department, but he fails. The whole year Butusov works as a watchman, he works at the "Crossroads" and in 1991 he goes to the director's faculty of LGITMiK, to the studio of Irina Malochevskaya, who worked with G. Tovstonogov for many years.

The Way of the Director

The Theater Institute not only gave Butusov a favorite profession, but also brought him to the actors who will become the stars of his performances, at the same time Michael Porechenkov, Mikhail Trukhin, Andrei Zibrov and Konstantin Khabensky studied at LGITM. They began to collaborate in their student years, when Yuri Butusov put the educational play "Marriage" and did a thesis on Beckett's play Waiting for Godot. Later this team will become the reason for the many-year-old sold-out in the theater. Lensoveta, and the last work will bring the director fame and recognition. For his "Godot" he will receive the "Golden Mask" and the main prize at the "Christmas Parade" festival.

There are lucky people in the theatrical world, and this is Yury Butusov, whose biography shows almost vertical take-off. Already from the first steps the director connected his fate with the theater of the absurd, he loves Ionesco, puts Buchner, Pinter, Camus. But, growing up, he comes to understand and desire to put classics, under his guidance a new reading of Shakespeare, Chekhov, Bulgakov.

After the university Butusov together with his group of actors comes to the theater. The Leningrad Soviet also makes it one of the most notable in Russia. Spectators and critics fall in love with Yuri, and he continues his searches and seeks new platforms for implementation.

Having worked in St. Petersburg for several years, Yuri Butusov goes to conquer Moscow. He is invited to "Satyricon", where the director puts "Macbeth" by E. Ionesco, forming a new team of actors, who then for many years continues to cooperate with him. Butusov is characterized by the perception of the theater as at home, he seeks to create a cozy kinship atmosphere in the troupe. For his short while, he was able to create two such houses: in the theater of the Leningrad City Council and in the Satyricon.

Moscow favorably meets the director, he is invited for performances by the best theaters: "Tabakerka", Moscow Art Theater. AP Chekhov, Vakhtangov, Alexandrinsky. Since 2002, he begins to put and abroad: in South Korea, Norway, Bulgaria.

Butusov works a lot, releasing several performances a year, and all his works are marked by high quality, interesting idea, outstanding actors and many director's findings.

The best performances

Rarely, when fame comes to the director after the first productions, Yury Butusov became such a lucky beggar. Photo of the theatrical figure was reprinted by all media after the release of his "Wojciech" in 1997. For 20 years of work, he has staged more than 30 performances, many of which have become a discovery for theatergoers. His notable works were The Good Man from Sezuan (Pushkin Theater), The Three Sisters (Lensovet Theater), Othello (Satyricon), Seagull (Satyricon), King Lear (The Satyricon).

The creative method of Yuri Butusov

The director demonstrates a tendency to laconism and minimalism. He attaches great importance to space, in his productions on stage there are no random objects and decorations for decoration. He plays every thing that comes to the scene: a table in Hamlet, a piano in King Lear, a tree in Godot are almost acting characters of the play.

Butusov always works with the viewer and for him, he tells complex stories in simple and understandable language, involves the viewer in deep empathy and immerses the atmosphere of the play.

His method of criticism is called "non-linear" theater, it is based on sketches, associations, violation of the usual logic. Over the years, Butusov's logic of narrative becomes more and more complicated, the viewer is offered a large joint intellectual work on reading classical texts.

Awards and achievements

Butusov from those directors, who likes criticism, he repeatedly received laudatory and enthusiastic reviews and awards. In his portfolio there is a "Golden Mask", "Golden Soffit" - the St. Petersburg Theater Award, the "Seagull" Prize, the " Stanislavsky.

Private life

If there are closed persons in the theatrical world, then it is Yuri Butusov. The director's wife is the theme of the most frequent questions of admirers of his work. But there is no information on this topic in the media. There are two versions: either Butusov is a great conspirator, or he simply does not have a wife. The second is more likely, given the crazy work capacity and workload of the director. It seems that he just has no time to think about the family. He tries to realize his numerous creative plans.