History of the creation and analysis of the poem "Clouds" Lermontov

The work "Clouds" is a masterpiece of the poetic creativity of Mikhail Yuryevich. We suggest you get acquainted with it in more detail in this article. Carrying out the analysis of the poem "Clouds" Lermontov, it is necessary to tell about the history of the creation of this poem, about its compositional features, about the figurative means used in the text. The portrait of Mikhail Yurievich is presented below.

The Poetic Size

The work consists of three quatrains. It is written by a dactyl, while Lermontov used a cross rhyme. This poetic dimension in Lermontov's poetry is quite common.

History of creation of the work

In 1840 he wrote a poem "Clouds" Lermontov. The history of its creation is the following. Mikhail Yurievich was in St. Petersburg with his friends, whom he decided to visit before exiting to the Caucasus, in exile. The poet's friends gathered to accompany him on the road, at the Karamzin's apartment. Like Pushkin, Mikhail Yurievich was a supporter of justice, advocated for freedom of speech. However, such behavior was unacceptable for the authorities. Many of those who opposed it, at that time sent to exile. Lermontov did not avoid this fate.

The expectation of the road ahead, as well as the study of the gloomy sky of Petersburg covered with clouds led to the birth of this poem. It is permeated with the motive of finding a way, exorcising, experiencing feelings of anguish and loneliness. The poet stood at the window, touched by attention to himself. He looked at the clouds crawling over the Summer Garden. So this poem was born .

Composition "Clouds", the mood of the lyric hero

As the analysis of Lermontov's "Clouds" shows, it consists of three stanzas and two main parts that coexist with each other on the basis of the detailed comparison used by the author. Winds, driven by the wind, racing ahead, are compared in the work with the spiritual state of the hero, who does not know, like them, where his destiny will bring. The lyrical hero feels pacification. At the same time, he feels alien to all that he observes around. He is free, lonely and calm, but understands that calmness is seeming and temporary.

Theme of the Motherland

The motif of homelessness and loneliness is combined in the poem with such motives as melancholy and love for the Motherland, not ready to reciprocate the lyrical hero. In the last line the poet says: "You do not have a homeland, there is no exile for you." The lyrical hero is seen as something elusive, unstable. Homeland is like a woman who demands love, not always ready to give her love in return.

Two worlds: man and nature

Carrying out the analysis of the poem "Clouds" Lermontov, you can see that the two worlds are present in it: the ideal world of beauty and harmony of nature, and human, full of passions and imperfections. The lyrical hero is eager to break out of this imperfection into the natural world. However, he realizes that it is possible to do this only by dying. Considering that the poet himself had to live on earth for a little more than a year during the creation of the work, the poem acquires a mystical meaning as a landmark of his life and creative path.

Epithets, inversions, metaphors and anaphores, which are used by Mikhail Lermontov ("Clouds")

It should be noted that many different means of expressiveness were used by the author in this poem. This is primarily epithets: "cute north", "steppe azure", "barren fields", "slander poisonous." In the text, in addition, inversions are used. This gives the poem a special imagery ("chain pearl", "steppe azure"). The phrase "steppes azure" was used by the author in a figurative sense. After all, if you think about it, it is a synonym for the vastness of the sky. This is a metaphor, because there is a similarity between the notions that are designated - the vastness of the steppe and the sky. "Chain pearl" - another metaphor. We imagine light small clouds, glowing matte from the inside. The string of his cloud resembles a string of pearls.

A wonderful, almost idyllic picture is drawn in the first stanza. Only one word violates it - "exiles." So the poet compares the fate of the clouds with their own unenviable fate. The philosophical meaning of the work is emphasized by the use of the anaphora by Mikhail Yurievich, that is, the repetitions at the beginning of each series of the word "or" ("Or on you ... / or friends ...").

Antithesis in the work

Analysis of the poem "Clouds" Lermontov allows you to identify and other techniques used by the author. Mikhail Y., in particular, resorts to the antithesis, characteristic of all his work. In "Clouds" are contrasted, as we have already noted, the world of nature and the human world. Eternal exiles in this case are celestial clouds, which rush into the unknown far in the sky. They are compared with human searches, aspirations of people to know the meaning of their own lives, to find their own way.

Receiving impersonation

Enhances the antithesis of the personification, which Lermontov uses in the poem "Clouds". Analyzing it, it can be noted that Mikhail Yurievich addresses the clouds as if living beings, rather than natural phenomena, are in front of him.

Rhetorical questions

The author uses rhetorical questions in addressing the clouds. That is, addressing questions to them, in fact, refers to himself in the product of the "Cloud" Lermontov. Analysis of the features of this technique helps to understand why Mikhail Yurievich applies it. Rhetorical questions, as you know, do not require an answer. They are used in speech in order to attract attention, sharpen the topic. The symbol of loneliness is the capacious and accurate image of the celestial clouds. They symbolize restlessness, as well as an eternal search for the meaning of life. The poet thanks to this image manages to accurately convey in the poem the world of his own experiences, passions and doubts.

This concludes the analysis of Lermontov's poem "Clouds." Mikhail Yurievich wanted to tell us that there are no vices in nature, unlike people who have a lot of them. Clouds swim over all worldly vanity. Man, unfortunately, is not allowed to become as sublime as they are.