What is the mode and notion of tonalities

The concept of what is fret and tonality, initially assumes an inseparable connection with the construction of scales and basic notes that are present in them. It is necessary to make a difference between harmony and tonality, since the mode refers to a broader concept, from the understanding of which the principles of building the basic scales follow.

Basic frets

If we talk about what is the mode in the broadest sense of the word, it is worth noting that the most common are the major and minor. From the point of view of the theory of music, there are quite a few other kinds of frets, in the scales of which there are elevated or lowered stages. The process of using such operations can lead to the most unexpected results. That there are only oriental frets, using not even seven basic notes, but as many as twelve. Just the harmony and tonality in this case are based not on halftones, but on intervals of a quarter of a tone. Hence the always recognizable sound of oriental music. The very same harmony, music, scales and harmonies are inextricably linked.

Stable and unstable notes

In any mode and scale, the same principle applies, connected with the basic notes and steps. There is the notion of stable and unstable notes. Steady steps are the first, fourth and fifth. All the rest are unstable. They are called so only because they are striving for resolution. So, for example, in the scale "C major", the second note "re" tends to a resolution in the note "before". Also, the "si" note also tends to resolve in a note "to", which plays the role of tonics. Accordingly, other unstable notes have their own principles of resolution.

Tonalities and principles of their construction

As you know, there are three main types of tonalities. In this respect, what is a harmony can be said, based on key signs. There are only two keys that do not contain signs in the key. This is "C-major" and "A-minor". All other keys and scales contain sharps and flat. Hence their names - sharp and flat. Lad, music and basic harmony are built precisely on this principle.

As for the principles of the construction of scales, the musical mode is like a sequence of notes played in a certain way with the use of basic or additional signs of alteration. Naturally, you need to pay attention to the signs in the key, as well as the type of the executable mode (natural, harmonic or melodic).

Intervals

In understanding what is a harmony, one of the key issues can be called not only the use of principles for the construction of a scale, but also the intervals present in it between all levels. All notes are separated by intervals, called tones and semitones. The intervals in the gamma or fret are themselves constructed taking into account the key signs of the musical alteration. This approach is typical for all gamuts. Ascending intervals are distributed as follows: prima, second, third, quarter, quint, sext, and octave. After an octave, decima follows, but in the base case, intervals outside the octave are not considered. All intervals can be clean, reduced or enlarged. Clean in its original form there are only quarters, quintas and octaves, although the first two intervals in the form of characteristic can vary.

Intervals, like the scale stages, also have stability and seek resolution. On the basis of intervals, triads and chords are constructed, in which resolution is also provided. As you know, the main in fret or gamma are the first, fourth and fifth steps, on which the construction of the main triads and chords is made. In this case, do not pay attention only to them. Using other steps, including extra high or low in case of harmonic or melodic scales, you can find no less interesting chords or sequences of arpeggios.

Interesting in this respect are the characteristic intervals. This is an enlarged quarter and a reduced fifth. On a musical camp they are designated differently, although they are perceived on hearing with absolutely identical sound. But even by ear you can determine which interval is sounding at the moment, but for this you need to pay attention to the resolution.

In any case, as they say, it remains only to show a little imagination in order to get a unique and nothing like musical material. In principle, it is not necessary to know the theory of music very deeply for this.