What is a musical image or how to create your own world of emotions

Scientists around the world are trying to give a scientific comprehensive answer to the questions about the origin of the object-visual perception of music and the existence of an invisible boundary between the reality of sounds and the illusion of meaning. Such a study can be compared with the eternal search for higher intelligence, and it is necessary to begin with an understanding of the nature of the emergence of the musical image in the composition.

What is a musical image?

It is an intangible character of the composition, which absorbed a bunch of sounds, thoughts of the composer, performers and listeners into a single energy center without time and reference of real space.

The whole composition is a stream of sensual intonations that accompany the most diverse emotions and actions of the heroes of its history. Their combination, consistency and contradictions create an image of the composition, revealing the facets of the spiritual world of man and expanding the boundaries of self-knowledge. The creation of a musical image in music reflects a palette of feelings and emotional experiences, philosophical reflections and an enthusiastic attitude to the beautiful.

Awesome world of musical images

If the composer draws an early morning, he creates musical images in music, offering the audience to experience the dawn, the sky in blurry clouds, the awakening of birds and beasts. At this time, the dark hall, filled with sounds, instantly changes its scenery to the projection of the morning landscape of endless fields and forests.

The soul of the listener rejoices, emotions overwhelm with their freshness and spontaneity. And all because the composer, when creating a melody, used sounds, their intonation, certain musical instruments, capable of orienting human memory to such sensations of sounds. The sounds of a bell, a shepherd's pipe or cocks of a cockerel fill the associative image of the melody so much that the time of action in the composition leaves no doubt - the morning. In this case, there are constant, predictable associations.

What is the musical image of lightning, tried to explain I. Haydn, Glinka, Verdi, R. Strauss, and N. A. Rimsky-Korsakov spent much effort on creating a musical image of light phenomena in music. Sound increase was used for light and atmospheric images, and low sounds were given to the bowels of the earth, keeping a logical juxtaposition of low and high in art and in real life.

Random associations of musical image

There are also random associations that are unpredictable and strictly individual for each person, as well as his life experience. These are smells, mood features, atypical lighting, a combination of circumstances at the time of listening and much more. One association always provokes another, saturating the musical image with additional details, imparts a unique, deeply personal character to the entire composition.

Associations created as a result of listening to music have their age and relevance. That is why the real-pictorial music of past centuries gradually turns into a formal, more abstract music of our time. Specific graphic associations are becoming obsolete. Thus, the compositions of Mozart or Bach do not evoke in the soul of the contemporary listener those images that characterized their contemporaries. Replying to the question, what is the musical image in modern music, is not easy. Electronic sounds have long replaced the living, but would have been completely alien to musicians of the time of Tchaikovsky and Beethoven.

Lyrical images in music

What are lyrical images in music, Russian classics well know. In 1840, Glinka wrote a romance for verses of the great Russian poet Alexander Pushkin "I remember a wonderful moment." The composer created images of a fascinating moment: a memory of the first minutes of acquaintance, the bitterness of parting with a loved one and the joy of a new meeting. The weightless melody first flows smoothly, spreading soft motives, and suddenly is interrupted by an unstable syncopated rhythm.

Rhythmic accents, expressive repetitions and energy of the "progressive" rhythm of the middle section so vividly reflected the effects of the poetic syllable that the famous poems of the enamored poet acquired more vivid, sensual emotions that amaze with their depth and residual action.

In turn, the trembling love for Catherine Ermolaevna Kern and the profound experiences that accompanied this relationship created a unique work of spectacular contrasts, flexible options and intonations and revealed new little-studied possibilities for creating an associative series in a musical work and its images.

What is the musical image in the romance? This is an excited speech that reveals the mystery of the experiences of the beloved and makes the listener a witness, accomplice, and even the hero-lover, immersing himself in a world of ambiguous feelings and secret fears.

The talented performer of the romance merges with the image of the lyric hero, as once Pushkin and Glinka were one with him, and the invisible trio embraces all the senses of the listener, seizes his imagination and with one energy flow pours into him the spiritual impulse of love and beauty Experience of suffering.

"All the arts, like music, require a feeling that inspires," said Glinka. - And forms. What does harmony mean, and? Forme? The proportionality of the formation of a harmonious whole ... Feeling and form are the soul and body. The first is the gift of supreme grace, the second is acquired by labor ... "