The theme of creativity in the novel "Master and Margarita" Bulgakov (briefly)

The work "Master and Margarita" by right can be called the final in the life of Bulgakov. The author worked on it for 12 years. It is no accident that this novel is the favorite book of many people. It combines the author's ideas about good and evil, justice and love. However, of course, the theme of creativity in the novel "Master and Margarita" - the main one.

The beginning of the novel. Acquaintance with representatives of the writing fraternity

At the very beginning of his work the author acquaints us with the head of the association of writers MASSOLIT, Mikhail Aleksandrovich Berlioz, and the poet Ivan Bezdomny. The theme of creativity in the novel "Master and Margarita" Bulgakov rises already on the first pages of the novel. The author shows his reader his ironic attitude towards Berlioz, the one-sidedness of his education and the narrowness of his horizons. He is the main opponent of the publication of the novel created by the Master.

True and false creativity

The theme of creativity in the novel "The Master and Margarita" (an essay with this name is often written by schoolchildren) is one of the most important. The work contains a conflict of true and false creativity. The author has treated this issue very painfully. It is no accident that the researchers believe that the Master is a prototype of Bulgakov himself.

The main attraction of Moscow was a huge restaurant, which served pike-perch, sterlet, coconut eggs. The members of MASSOLIT cared mainly for their satiety, and not about the quality of spiritual food.

The theme of creativity in the novel "Master and Margarita." Master Image

The master is portrayed by the author as a true creator, who, as is usually the case, can not find understanding among ordinary writers, poets and editors. The work of the Master is very psychological, it shows the intricacies of the relationship between the punishing party and the convicted person who is innocent, the tortures of the procurator's conscience . The Master's brilliant novel met with no support from MASSOLIT. Persecutors of the author, driven by envy, write accusatory articles. Criticism brings the Master to a madhouse.

Intervention of the higher forces in the fate of the Master

The theme of creativity in the novel "The Master and Margarita", and to be precise, the theme of true creativity, is associated with the image of the Master. The work created by him finds the support of Woland and his retinue. Unholy power helps to restore justice. They straighten Berlioz, at the end of the work the house of Griboyedov burns.

Love and creativity

The theme of creativity in the novel "Master and Margarita" is related to the theme of love. The feeling of Margarita helps to overcome frustration in life, gives strength. She believes that the Master's novel is truly a genius creation.

Meeting with Woland turns Margarita into a witch. To save the Master, she flies to the ball of Satan, who appears before the readers as a fair judge. He helps Margarita to return her lover and does her best so that the troubles of the last few days do not worry them: the Master is no longer listed in the clinic, their nest, cellar, again freely, five burned copies of the manuscript are now in his hands.

In addition, at the top it was decided to give lovers eternal peace and the opportunity to enjoy life.

Completion of the novel

The theme of creativity in the novel "Master and Margarita" permeates the whole work. The book ends very happily for the Master and his lover. Genuine creativity triumphs over false. Master and Margarita leave the time in which they lived, and find eternal peace. The master finds what is very important for a true artist - freedom not limited by the political system.

So, the theme of creativity in the novel "Master and Margarita" is highlighted. Briefly in this article we have already told how it is traced in this work. Now let us turn to the history of the novel.

About the history of the novel

The famous work of Bulgakov was published only in the sixties. The time to start work on the novel should be considered 1928-1929, as the author himself dated the first manuscripts then one or another year. Originally, the product received several variants of names: "Hoof Engineer", "Black Magician", "Juggler with hooves", "Tour".

Bulgakov burned his novel in the spring of 1930, notifying the government about it when he received news that the play "Kabala svjatosh" was banned. Work on the work was resumed in 1931. It was then that Margarita and her companion appeared in the book, which later was called the Master. Woland had a retinue. The 1936 editorial, the second in a row, was entitled as "Fantastic Novel."

The third edition was originally called "Prince of Darkness". The work was entitled as "Master and Margarita" in 1937. At the beginning of the summer of 1938, the text of the novel was first fully printed, which was edited almost until the last days of the writer's life.

The Hero of the Master is very autobiographical, which is once again confirmed by the information about his age, reported in the novel. According to the text of the work, the Master was a man of about thirty-eight years. The same was Bulgakov when he started working on this book.

It is believed that the creation of the image of the satan of the author was inspired by the opera of Charles Gounod, who was very impressed with him in his childhood, and also the poem I.V. Goethe "Faust". It is interesting that Bulgakov was impressed with the novel by A. Chayanov, whose main character is Bulgakov's surname. On the pages of the book he encounters a devilish force. The coincidence of the names greatly agitated the writer.

It is noteworthy that Woland in the first editions bore the name Astaroth, but later this name was replaced.

As the writer's widow reported, Bulgakov's last words about the work "Master and Margarita" were: "To know ..."

Now in Moscow on the Great Garden there is a "Bulgakov house". This is a museum that tells about the creativity and life of the writer. Quite often there are small theatrical performances, improvisations on the writer's works.

The theme of creativity in the novel "Master and Margarita" (the arguments for this were given above) is the main one. In addition, initially the author planned to raise in the novel a lot of public problems, among them the issue of the difficulties of the work of Russian writers in Russia, who were subjected to real persecution by the state. In the editorial version known to us, the author writes about the fate of a gifted person in the conditions of tyranny, which, however, strongly echoes the initial plan.

The theme of creativity in the novel "The Master and Margarita" - the key, leading. It closely intertwines with the theme of the love of the heroes of this magnificent work. The feeling of Margarita saves the Master. The creation created by Bulgakov impresses contemporaries like no other. Roman has a bad reputation among filmmakers, but there are brave souls in whom the desire to make a film on this work is overcome by superstitious fear. The last screen version of the novel in 2005 shocked the viewer with the detail, the number of special effects, the skill of the cast.