The best Soviet films for teenagers: a list and reviews

Soviet cinema is a unique phenomenon in the world of art. And not only because of its multinational nature, but also a special humanistic message. Soviet films for teenagers are singled out separately. Since their main goal was the upbringing of the younger generation in the communist spirit, they were given special attention. All of them are imbued with patriotism, love for the Motherland, pride in its achievements.

However, there is also one more feature in them - the theme of universal moral principles and retribution for wrong actions, but not after death, but already during life. All Soviet films for teenagers, the list of which we will consider, teach the main thing: the fact that in any situation you need to remain a Man. But that's just not yourself, but the average.

"And if this is love?"

For 1961 this was a truly revolutionary view of Soviet reality. All Soviet films for teenagers are built on the norms of morality. But here Julius Raisman opposes them with hypocrisy. In the center of the picture are simple tenth-form students - Boris and Xenia. They love each other, but this first timid feeling causes an avalanche of disapproval and dirty rumors. The girl can not even go out quietly, her kids are teasing her, and gossipy gossips are talking about her.

Do not come to the rescue of her daughter and mother Xenia. She, like everyone else, is too concerned with everything to be like everyone else. And important is not only external unification, but internal as well. That is, you need not only to furnish an apartment properly, but also to think correctly. This state of affairs also breaks the fate of a young girl who can not resist such a serious onslaught of society. And all because of the bigotry of others.

"The woodpecker does not have a headache"

This is another film about how difficult it is to be yourself, especially in a standardized Soviet system. Although it is not easy in our time. Soviet films for teenagers and children Dinars Asanova are characterized by an unusually accurate depiction of reality and characters. The main hero of the picture "Do not hurt the head of a woodpecker" is Seva Mukhin. He in all respects is quite an ordinary seventh grader, if not for the famous brother-basketball player. And this makes him look for ways to express himself.

The fly does not want to live in the shadow of his brother. He does not play basketball, he plays the drums. And this disobedience terribly irritates his relatives and neighbors. "The head of a woodpecker does not hurt" is a film about the importance of an independent character, which is just as necessary as talent and intellectual abilities.

"Drawing"

A recent remake will never match the original. "Drawing" - this is the first role of Dmitry Kharatyan. Like other Soviet films for teenagers, this shows the complexity of entering into adulthood. Everyone decides how to go to his dream. However, one must understand, for all their actions sooner or later have to respond. The main theme is how important it is to remain yourself in any situation, not to go with the flow, changing your principles to please others.

"The key without the right to transfer"

This picture seems relevant today. The problem of understanding between generations in our turbulent time is more acute than ever. In the film "The key without the right to transfer" shows the life of the usual average statistical school. But she has one peculiarity: students of 10-B class do not get along with parents and teachers, but adore their young class teacher Marina Minimovna. She discusses with them pressing problems and gives advice without excessive moralizing. Senior colleagues disapprovingly talk about the methods of Marina Maksimovna. She also considers the views of other teachers as obsolete and on this basis looks down on them.

One of the lessons the guys write to the phone. And this entry falls into the hands of the student's mother. She is indignant at the insolent revelations recorded on the film, so she goes to school. The new director is trying to find the best way out of this situation. In the end, everything turns out not to be as it seems. Like other best Soviet films for teenagers, "The key without the right to transfer" teaches you not to rush to conclusions. Marina Maximovna's current views turn out to be not so deserving of admiration, and the new director is not at all a retrograde and a soldier.

"You never dreamed"

Considering Soviet teenage films, one can not ignore this one. He has the most ratings on "Kinopoyske", which means that he is still known and loved. In the center of the plot, as it usually happens in the pictures of this genre, is a guy and a girl. Their friendship grows into love, which by its force frightens adults. The situation is complicated by the fact that the girl's mother once met the boy's father, but rejected him. And it broke his heart.

Roma's mother is panic-stricken that Katya will definitely reject her son. Therefore, it does not allow young people to meet. Roman's mother takes his son to another school. But it does not change anything. Then she deceives her son to leave the capital. Katya does not get Roma's letters, but for him it's hers. But soon they will still know the truth. Roma locks herself in her room and sees from the window how Katya enters the courtyard. He bends down to call her, but falls out of the window. However, its fall is mitigated by a snowdrift, and as a result, love overcomes all obstacles. The film conveys the idea that the depth of the senses is not measured by age.

"Scarecrow"

This is another film about a person's opposition to the system. The main role in the film Rolan Bykov was played by Kristina Orbakaite. In due time this work has caused a wide resonance. If other Soviet films about the school and adolescents portrayed children in a positive way, then here they were represented by anti-heroes.

"Scarecrow" begins with the transfer of a new student Lena to the class of a provincial school. She settles with her uncle, who is considered an eccentric because of his closed way of life. This dislike is also transferred to Lena. She does not respond evil to such an attitude, wishing at least so to win the respect of classmates. But only the most popular boy in the school of Dima Somov supports her. However, this friendship soon gives a break because of the cowardice of the latter.