Biography Gluck and a brief haratkristika creativity of the composer

Biography Gluck is interesting for understanding the history of the development of classical music. This composer was a major reformer of musical performances, his ideas were ahead of his time and influenced the work of many other composers of the 18th and 19th centuries, including Russian ones. Thanks to him, the opera acquired a more harmonious appearance and dramatic completion. In addition, he worked on ballets and small musical compositions - sonatas and overtures, which are also of considerable interest for contemporary performers who willingly include their excerpts in concert programs.

Youth years

The early biography of Gluck is not well known, although many scientists are actively exploring his childhood and teenage years. It is well known that he was born in 1714 in Palatinate in the family of a forester and received a home education. Also, almost all historians agree that he already in his childhood showed outstanding musical abilities and was able to play musical instruments. However, his father did not want him to become a musician, and sent him to the gymnasium.

However, the future famous composer wanted to connect his life with music and therefore left the house. In 1731 he settled in Prague, where he played the violin and cello under the baton of the famous Czech composer and theorist B. Chernogorsky.

Italian Period

Biography Gluck can be conditionally divided into several stages, choosing as a criterion for the place of his residence, work and active creative activity. In the second half of the 1730s he came to Milan. At this time, one of the leading Italian music writers was J. Sammartini. Under his influence, Gluck began to write his own compositions. According to critics, during this period of time he mastered the so-called homophonic style - the musical direction, which is characterized by the sound of one main theme, while the others play a supporting role. Biography Gluck can be considered extremely saturated, as he worked a lot and actively and brought a lot of new to classical music.

Mastering the homophonic style was a very important achievement of the composer, since in the European music school of the time under consideration polyphony prevailed. In this period he creates a number of operas ("Demetrius", "Por" and others), which, despite imitating, bring him fame. Until 1751, he toured with the Italian group until he was invited to move to Vienna.

Reform of the opera

Christoph Gluck, whose biography should be inextricably linked with the history of the development of opera, did much to reform this musical performance. In the XVII-XVIII centuries the opera was a magnificent musical spectacle with beautiful music. Much attention was paid not so much to content as to form.

Often composers wrote exclusively for a specific voice, not caring about the plot and the semantic load. Gluck strongly opposed this approach. In his operas, music was subordinated to the drama and individual experiences of the characters. In his work "Orpheus and Eurydice" the composer skillfully combined elements of the ancient tragedy with choral numbers and ballet performances. This approach was innovative for its time, and therefore was not appreciated by contemporaries.

The Vienna period

One of the greatest composers of the 18th century is Christoph Willibald Gluck. The biography of this musician is important for understanding the formation of the classical school that we know today. Until 1770 he worked in Vienna at the court of Marie Antoinette. It was during this period that his creative principles took shape and got their final expression. Continuing to work in the traditional for the time genre of comic opera, he created a number of original operas in which he subordinated music to poetic meaning. They include the work of "Alcestus", created by the tragedy of Euripides.

In this opera, the overture, which in other composers had an independent, almost entertaining meaning, acquired a great semantic load. Her melody was organically woven into the main plot and set the tone for the whole performance. This principle was guided by his followers and musicians of the 19th century.

The Paris stage

The 1770s are considered the most saturated in the biography of Gluck. The summary of his story must necessarily include a brief description of his participation in the dispute, which erupted in the Parisian intellectual circles around what the opera should be like. The dispute was between supporters of French and Italian schools.

The former defended the need to introduce drama and meaningful harmony into a musical performance, while the latter emphasized vocal and musical improvisation. Gluck defended the first point of view. Following his creative principles, he wrote a new opera based on the play of Euripides "Iphigenia in Tauris". This work was recognized as the best in the composer's work and strengthened his European fame.

Impact

In 1779, due to a serious illness, composer Christopher Gluck returned to Vienna. The biography of this talented musician can not be imagined without mentioning his latest works. Even being seriously ill, he composed a number of odes and songs for pianoforte. In 1787 he died. He had many followers. The composer considered his best pupil A. Salieri. Traditions laid by Gluck, became the basis of the works of L. Beethoven and R. Wagner. In addition, many other composers imitated him not only in composing operas, but also symphonies. Of the Russian composers M. Glinka highly valued the work of Gluck.