Anna Akhmatova, "Requiem": analysis of the work

The life of this Russian poetess is inextricably linked with the fate of her country. According to her poems, it is easy to see how the loop of the totalitarian regime was tightened and horror was more and more aggravated. It was in these terrible years that the poem was created, where Anna Akhmatova was opened, - "Requiem". Analysis of this work must begin with when it was written. From 1935 to 1940. It took us six years to finish the poem, and every year, month and day were filled with sorrow and suffering.

The poem consists of diverse chapters, and each of them carries its own idea. There is also an epigraph, which Akhmatova anticipates with "Requiem". An analysis of these few lines reveals why Anna abandoned the idea of emigration from Russia. The words "I was with my people, where my people, unfortunately, was" in a genius, sketch out the entire tragedy of the then epoch. It is interesting that the epigraph was written twenty-one years after the poem, in 1961, after the death of the "Father of Nations".

The chapter "Instead of the Preface" also dates from 1957. The poet considered that for the new generation, who did not see the horrors of the "Yezhovschina" and the terror of the times of Beria, the narrative remains incomprehensible. The son of Anna, Lev Gumilev, was arrested three times during these years. But Akhmatova does not talk about her personal grief. "Requiem", the analysis of which must be carried out in order to reveal the deep layers of the poetics of those years, narrates about the grief "which the hundred-million people shout."

Akhmatova draws a portrait of the entire Soviet Union in strong, measured, like hum of a funeral ringing, lines, countless mothers, wives, sisters and brides standing in lines to the prison windows to convey to their relatives simple snacks and warm clothes. The syllable and the size throughout the lyrical cycle vary: this is a three-legged anapaest, then a verse, then a four-legged trochee. It is not surprising, because she created Akhmatova "Requiem". Analysis of this poem allows you to draw a direct parallel with Mozart's musical composition , which wrote a requiem requiem for an unknown customer in black.

As well as the "Requiem" of the genius composer, the poem had a customer. The chapter "Initiation" is written in prose. The reader will find out that this customer is a "woman with blue lips," standing in line with Akhmatova to the window in the Leningrad Crosses. "Dedication" and "Introduction" once again underscore the amount of repressions that have engulfed the country: "Where are the unwilling friends now ... of the spoiled years?" The next ten chapters, which have the names "Verdict", "To Death" and "Crucifixion", once again emphasize that she wanted to create Akhmatova "Requiem". The analysis of the funeral service echoes the Passion of Christ and the torment of the mother - any mother.

"Epilogue", which ends the work, is very significant. There, the poet once again remembers the countless women, who together with her have passed through all the circles of hell, and gives in some way a lyrical will: "And if someday in this country a monument will be conceived for me ... [let it be put in front of the prison" Crosses "], Where I stood for three hundred hours and where the bolt was not opened for me. " The analysis of the poetry of Akhmatova, whose works have not been written on paper for a long time (because they could be planted for them), but only learned by heart, which were published in full only during perestroika, tells us that until the will of the poetess is fulfilled, and the monument She will not rise at the "Crosses", the shadow of totalitarianism will hang over the country.