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Analysis of the ballad by Zhukovsky "Svetlana". The combination of romanticism and sentimentalism
Vasily Zhukovsky is one of the first Russian poets who created comprehensible, simple and easy-to-read works. Prior to this, the writers worked on the principle, the more difficult the better. It is not easy for us to assess the scale of the genius of Vasilii Andreevich, because what seems to us quite acceptable and ordinary for the contemporaries of the poet was amazing. In the XIX century, everyone was fond of sentimentalism, and Zhukovsky was no exception, so his work is a combination of this genre and folk.
An attempt to create a Russian folk ballad
It should be noted that the other ballads of Zhukovsky's "Svetlana" are completely different from other similar works. The content first scares the reader with fear and horror from what is happening, but the end is joyful and happy. The main characters remain alive, their fate is wonderful, while in such famous ballads as "Lyudmila", "The Forest Tsar", there is drama.
The plot analysis of the ballad by Zhukovsky "Svetlana"
Analysis of the ballad by Zhukovsky "Svetlana" shows that the author included in his work features romanticism and sentimentalism. At first, the girl sits in front of the mirror, wanting to see her betrothed there, then falls asleep. In a dream, she meets her fiance, follows him, but the man seems somehow unusual. Only in time the reader, along with Svetlana, understands that this is the groom-dead man. When the girl is in the hut near the coffin, she by her prayer drives away the otherworldly forces, the white dove flying to her breast is a symbol of the Spirit of the Lord. Humility and obedience will bring salvation and reward - this is the main theme of the ballad of Zhukovsky's "Svetlana."
Optimistic end
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