Proverbs and fables by Olesya Yemelyanova

Olesya Yemelyanova is a teacher, the creator of teaching methods. In addition, she is the author of more than one hundred and fifty plays, poems and fairy tales for children. Fables Olesya Emelyanova deserve special attention. Creativity of the practicing teacher is the topic of the article.

Theatrical activity

Olesya Yemelyanova is a developer of toys and table games. She began writing fairy tales, plays and poems for children in the late nineties. Fables Olesya Emelyanova, as well as her dramatic works, are closely connected with theatrical activity. The heroine of this article is the director of the puppet theater "Tililyuk" and the organizer of children's leisure for many years. She is also one of the founders of the family club "Play City", where she acts as president.

Confession

Fables Olesya Emelyanova occupy a significant place in the modern children's literature. In total, she published more than five hundred works of art. As you know, reading and studying essays moralizing and satirical nature - an important component of the creative development of the child. Literary and pedagogical activity of Emelyanova was highly appreciated by both parents and creators of other techniques.

Performances

All kinds of developing games Emelyanova known parents throughout Russia. But few know that her plays are part of the repertoire of state and chamber theaters. The staging of Krylov's fables by Olesya Yemelyanova is only part of the theatrical work.

The fairy tale and fable were her favorite literary genres from childhood. She re-read the works of Pushkin, Marshak and other Russian Soviet poets and writers. In her youth she began to create original tales.

Books

Proverbs and fables by Olesya Yemelyanova are published by such organizations as "Eksmo", "Reader-Digest", "AST-Press". In addition, the writer cooperates with foreign publishers in the framework of the charitable program. The purpose of this non-commercial activity is to expand the interest in studying Russian language and culture among foreign citizens, as well as children of former compatriots. From 2001 to 2012, Emelyanova released four collections of fairy tales and poems.

The dramatization of fabulists-classics

Emelianova adapts for the production on the theatrical stage works by such authors as Aesop, Krylov, Phaedrus, Jean de Lafontaine. In its processing, young spectators get acquainted with the fables of the ancient Greek fabulist Aesop. Among such works are "The Hare and the Turtle", "Travelers", "The Well", "The Lion and the Dolphin". Thanks to the theatrical activity of Olesya Yemelyanova, young readers have the opportunity to get acquainted with the work of the Roman poet-fabulist Fedra.

Of course, books with his creations are easy to obtain. However, not everyone can read the works of ancient authors. Perhaps, that is why the original works started in the late nineties Olesya Yemelyanova. The short fables that belong to her pen are easy to read. This poetic works, according to the laws of the genre, have a moralistic basis.

Olesya Yemelyanova also adapts her works. Fables are reworked by the author himself for staging in children's theaters of Russia, Ukraine, Belarus.

"The lion and the jackal"

How to explain the child about what is slander? Fables Olesya Emelyanova for children are dedicated to various human vices. Among her moralizing poetic works - "The lion and the jackal." The poem briefly describes the feat of the King of Beasts. The fact that, unfortunately, people often manifest such qualities as envy and slander.

In the poem, human vices are demonstrated by animals. Negative characters in the fable are jackals. It is they who give the inexperienced lion cub a bad example. The hero of the fable indulges them, supporting slander against the lion. The role of a wise adviser is the mother. The lioness explains the cub how unappealing lies, slander and envy.

"The Serpent"

Characteristic features of Emelyanova's style are lightness and humor. Satirism should be present in the fables. It is in the works of Aesop, Lafontaine, and Krylov. The modern fabulist follows the laws of the genre, as can be seen by reading the poem "Serpent". The author of the fable ridicules envy, revenge, inability to self-criticism.

The hero of the work - the snake - sees swans in the distance, approaches them. He suddenly thinks that he is one of them. However, beautiful birds do not recognize kinship with the serpent and ridicule it. Bragging of this character can be compared with the stupidity of a crow from the fable of Krylov - a bird who believed in his rare vocal gift.

"Benefit"

This poem does not refer to short poetic works. The vocabulary the author uses is quite simple. In the fable there are words that could hardly be used by poets of the nineteenth century. But still it is very difficult to read this poetic work by yourself to a child of preschool age. To convey the content of the fable can be a well-known phraseology about throwing beads in front of pigs.

The poem tells of the performance of the tiger in the circus arena. The artist is preparing to leave for a long time, the audience is full of spectators. However, at the end of a spectacular performance a pig appears suddenly, spraying dirt everywhere. The audience, to the surprise of the tiger, admires the trick of the new "artist". The moral of this moralizing work is that each praise has its own price.

Classical and modern fables

The poems of Ivan Krylov have to be read from childhood. The works of the Russian poet are not only moralizing, but also contribute to the development of the imagination, the increase in vocabulary. Poems of this author are included in the school curriculum. Creativity Krylov - part of the classic Russian literature. But it would be incorrect to say that it is not necessary to introduce young readers to the books of modern authors.

In the fables of Emelyanova there are no complicated for the perception of phraseological units. In her works there are no archaisms. The value of obsolete words, of course, must be explained to children. But to limit the book world of the child works of the classics is not worth it. Reading Aesop, Krylov and Lafontaine should be combined with the study of the creativity of the modern fabulist.