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Ornaments of the peoples of the world: styles, motifs, patterns

The main purpose of the pattern is to decorate the thing to which this element is applied. On the origin of art ornamentalistics little information, since its use began many centuries before our era. Ornaments of different nations of the world differ in the individual perception of objects and the environment. Different ethnic groups have the same symbols in different ways.

Varieties and motives

Decoration is one of the first kinds of fine art. But, despite the long history, it is an excellent decor of many modern things.

Ornaments of the peoples of the world are divided into four main groups. It:

  • Constructed on the geometry of figures;
  • Phytomorphic type, which consist of images of plants;
  • MI type - they look like an integral broken line;
  • Combined or plot pattern.

Ornaments of the peoples of the world include such motives:

  • Intersection of lines in horizontal and vertical order, called tartan;
  • Matching of identical circles in the form of a four- or trefoil;
  • Ornament in the form of a teardrop-shaped curl - it is called paisley or a Turkish cucumber ;
  • The image of a beautiful lush flower is reflected in the damask;
  • The curved continuous line forming the edging of most patterns is called the meander.

Belarusian Ornament - Features and Uniqueness

The original meaning of the Belarusian ornament was ceremonialism. Among the main features of ancient patterns are:

  • Decorativeness of stylization;
  • Connection with objects, which are decorated;
  • A large number of broken lines and geometric shapes;
  • Constructive;
  • manifold.

Many geometric figures are explained by the personification of the forces of nature and the surrounding world that guarded man. Ornaments of the peoples of the world, although different, are used for the same purposes: decoration of clothing, household items, housing, tools. The number of repetitions of points, triangles, rhombuses explain the structure of society. The number three is the Divine Trinity or heaven, the earth and the underworld, four are the seasons, five are sacred, and so on.

The Belarusian ornament contains a large number of crosses, which symbolize the image of the sun, fire and justice.

The implements of labor depicted the symbols of fertility, the image of the parturient woman in the form of a seed or sprouts meant a good harvest and wealth.

In most rites, towels with ornaments were used. They were made by combining a white-gray pattern and a different geometric motif. Of great importance is the color of the pattern: white - a symbol of purity and light, red - wealth and energy, black - the speed of the flow of human existence.

Egypt. Ornament - specificity and uniqueness

To the early forms of the fine arts of Egypt is a geometric ornament. It shows different objects of the environment in the form of intersection of lines and abstraction.

Main reasons include:

  • Vegetable patterns;
  • Animalistic images;
  • Religious themes;
  • symbolism.

The main designation is the lotus flower, which personifies the divine power of nature, moral purity, chastity, health, animation and sun.

To describe the life of the other world used a pattern in the form of aloe. A variety of plants, such as thorns, acacia, coconut palm, mulberry tree, were the basis for the image in the ornamental art of Egypt.

Among the geometric lines should be allocated:

  • Direct;
  • Broken;
  • Wavy;
  • Mesh;
  • Point.

The main characteristic features of the ornament in Egyptian culture are restraint, rigor and refinement.

Patterns of the peoples of the world: Norway, Persia, Ancient Greece

The Norwegian pattern fully describes the climatic conditions of the country. A large number of snowflakes, drops, deer is used to apply to warm clothes. The geometry of the lines creates amazing patterns that are unique to this nation.

Persian carpets with amazing patterns are known all over the world. In Ancient Persia, this was the most expensive family value. The canvases were inherited through the generations and treasured. Ornamentalistics is characterized by a predominance of blue and green colors, depicting a variety of birds, animals, including fictitious, stripes in the form of a rhomboid fish, a pear in the form of a drop.

The basis for the formation of a culture of ornamental art in ancient Greece was the meander. Infinite repetition of patterns symbolizes the eternity and infinity of human life. Ancient Greek skin is distinguished by a wide depiction of plots and diversity. Characteristic features of this culture is the ornamentation with ornaments with undulating and broken lines of vases and dishes.

Variety of Indian patterns

Ornament of India is characterized by geometric and spiral forms, it is expressed in the form of a spiral, a zigzag, a rhombus, a triangle. From animalistics, muzzles of cats and birds are used.

A lot of ornaments in India are applied to the body with the help of henna. This is a special procedure, it means spiritual purification. Each tattoo carries a certain meaning.

The usual triangle symbolizes male activity, inverted - female mercy. The meaning of divinity and hope lies in the star.

To illustrate the protection, reliability and stability, use a square or octagon.

Popular ornaments consist of flowers, fruits and plants, they denote joy, happiness, hope, wealth and health.

Patterns of the peoples of the world: China, Australia, Mongolia

Chinese ornaments are easily distinguished from others, they contain large and lush flowers, which are connected by ordinary stems.

Woodcarving represents the ornament of Australia. Among them are:

  • spiral;
  • geometric;
  • circular;
  • Zigzagging;
  • Point;
  • linear;
  • Subject.

The patterns of Mongolia are presented in the form of a circle that embodies the rotation of the sun and the sky. For drawing on clothes geometrical figures which name a hammer ornament are used.

Main motives:

  • network;
  • Quilted mattress;
  • Hammer;
  • circular.

Ornaments of the peoples of the world are distinguished by a variety of forms, they reflect the individuality of cultures and the perception of the external world.

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