Irina Petrovskaya: creative biography, civil position

Journalist Irina Petrovskaya constantly acts as an ordinary viewer, defends the right to acquire complete and impartial information. In publications, the television critic reveals new ideological directions in the broadcasting of central television channels.

Creative way

Irina graduated from MV Lomonosov Moscow State University in 1982, specializing in TV. In the 85th was presented as a television critic in the periodical "Journalist". In the years 91-92 she worked in Ogonyok, where she specialized in reviews and short reviews of television programs. In 92-95 - a columnist of the TV "Nezavisimaya gazeta", where there was a separate thematic band "Television". In the newspaper allocated space for the column-column, which began to lead Irina Petrovskaya.

Biography of popularity to the analyst came during work in Izvestia, where she stayed for fifteen years. The unchanged rubric "The Television Week with I. Petrovskaya" was shown on a separate spread of the publication. Irina E. - the owner of the main award of journalists of Russia. The sources analyzed weekly materials from 2003 to 2010. The result is as follows: 297 articles contain a review of the last broadcast. The analysis showed: the number of texts with a negative rating was 85%, positive - 15%.

The method made it possible to single out the summands of the conclusions of the author of a television program, to determine the truthfulness of criticism in reasoning, to recognize the originality of the author's publications.

Features of style

What does the analyst attract, why do journalists remember Irina Petrovskaya? The main thing that is noted is the relevance, coverage of the complexities of today's state broadcasting. The main issue addressed to the journalist is that the creators of the programs and the creative groups bear a moral obligation to the viewer and society for the creative product.

Irina Petrovskaya constantly carries out mini-expertise to compare TV stories and life. Life, which is shown on TV, is not very similar to everyday life. Hence the conclusion: the audience is forced to invent a television appearance, which is more understandable and attractive than everyday life, explains Irina Petrovskaya. The photo captures a master class at the school of economics.

In articles the journalist tries to convey to the audience the idea that the viewer is intentionally distracted, and the real problems remain unresolved. Manipulation of consciousness is used as an instrument of influencing people for obvious purposes. The critic explains to whom and for what this method is beneficial for fooling the masses, what goals are pursued.

The second secret of journalistic style of Petrovskaya is that she is not limited to evaluating TV-projects and tries to correlate each of them with the trend of television. The analyst identifies the main direction of the further development of the central channels as a playground for entertainment, scenes of violence and cruelty in the pictures, and the demonstration of questionable documentaries about famous personalities is a priority.

Clearly expressed civic position

Petrovskaya asserts that securing the political direction of the President of Russia by television federal channels is a fundamental direction. Directors of companies are doing the impossible, so that there is not even a hint of condemnation of government policy. This is sure Irina Petrovskaya. The journalist points to unfavorable tendencies in publications with a hint of political overtones. This indicates that the journalist has a clearly marked civil position, courage and courage. Not everyone will be able to announce today the problems of society.

Irina Petrovskaya, talking about television, in the introductory paragraph focuses on the events of the past week. The topic that was identified at the beginning determines the main direction.

The study of the publications of the analyst represents the situation of the current Russian television, denotes problems: the ethics of journalists and TV broadcasters, the superiority of the entertainment model of the message that was received on the country's television channels. The critic tries not to miss the television premieres that advertise, explore the content, think about the effect that the telecast will produce on society.

Danger, which is not understood by all

Trends, which IE Petrovskaya points out:

- Increase the time for entertainment programs in order to distract the viewer. A person who thinks is not needed and dangerous. Attractive resting man with chips in front of the TV screen is attractive. Petrovskaya is sure that showing entertaining programs mostly in the evening will lead to the viewer gradually ignoring other genres and demanding only spectacles.

- Irina Petrovskaya in the articles finds out who, in the opinion of TV, is the "hero of our time". A man from the people is not regarded as such. They are stars of show business, psychos, bandits. Increased interest in negative characters speeds up the emergence of similar models among the television audience. The spectators who take a television picture for an actual life are in a difficult situation. This means that the behavior of the screen idols is easy to copy and copy.

Petrovskaya is a professional, a specialist in her own business. Such people are needed for correct orientation in this diverse world.