In which operas did Chaliapin play the main parts? "The Pskovite" (Ivan the Terrible), "Life for the Tsar" (Ivan Susanin), "Mozart and Salieri" (Salieri)

An understanding of the history of Russian musical theater is impossible without considering the question of which operas Shalyapin played the main parts. This outstanding singer had a huge impact on the development of not only domestic, but also world culture. It is difficult to overestimate his contribution to the development of national opera art. His phenomenal success abroad helped to spread and popularize not only Russian classical music, but also folk and folk songs.

Some facts of biography

Fedor Ivanovich Shalyapin was born in Kazan in 1873. The future singer came from a simple peasant family. He graduated from the local parish school, from childhood he sang in the church choir. However, because of the difficult financial situation, he for some time was trained in craftsmanship. After a while, the young man entered the art school. The beginning of his creative career is associated with the arrival of Serebryakov in the troupe, where he first performed small parts, participating in choral singing.

In 1890, Fedor Ivanovich Shalyapin went to Ufa, where he entered the operetta troupe. Here he began to perform solo parts. Four years later he moved to Moscow, and then - to the capital of the empire, where he was admitted to the main theater. Here he played the roles of both foreign and domestic repertoire. The talent of the young singer immediately attracted the attention of not only the general public, but also critics. However, despite the growth of popularity, Shalyapin felt somewhat constrained: he lacked freedom and personal initiative.

Carier start

The turning point in the life of the singer came after his acquaintance with the famous Russian millionaire and philanthropist S. Mamontov. With him, he first met with the search for talent and recruited the best singers, musicians and artists in his troupe. In this city, Shalyapin's speeches began with the performance of the title role of Ivan Susanin in Glinka's opera Life for the Tsar. The performance was a great success and played a crucial role in the artist's career, since it was in this production that his great talent was revealed as a performer of Russian classical music, which he perfectly understood and understood.

Then Savva Ivanovich invited the singer to his private troupe. He wanted to create a Russian national musical theater, and therefore he especially cared about attracting the most talented artists.

The flowering of creativity

Mamontovskaya opera played an outstanding role in Russian culture. The fact is that on this private stage those operas were staged that did not go to state theaters. For example, it was here that the premiere of the new work by Rimsky-Korsakov "Mozart and Salieri" was held. The role of the latter was brilliantly played by Chaliapin. In general, this new theater was called upon to popularize the music of representatives of the "Big Heap". And it was in this repertoire that the singer's talent was maximized.

In order to understand how much the roles of this outstanding performer have changed, it is enough simply to list in which operas Chaliapin played the main parts. He began to sing a great Russian opera: he was attracted by the powerful, powerful and dramatic music of composers who wrote their works on historical, epic and fairy-tale themes. Traditional folk motifs were especially liked by the singer, and paintings from ancient Russian history attracted by their picturesqueness and depth. It was at this period of his work (1896-1899) that he embodied a number of outstanding images on the stage. One of the most significant works of this stage was the role of Ivan the Terrible in the work of Rimsky-Korsakov.

Historical themes in creativity

Opera "Pskovityanka" is based on a historical episode and is characterized by an acute and dynamic plot and at the same time psychological depth of the image of the tsar and the inhabitants of the city. The music of this work was ideally suited for the vocal and artistic abilities of the singer. In the role of this ruler, he was very persuasive and expressive, so that this work became one of the most significant in his career. Subsequently, he even starred in the film, staged for this work. However, since the singer did not perceive the independent value of the cinema, he almost did not act, and his first film did not deserve the recognition of critics.

Execution features

For an objective assessment of the singer's creativity, it is necessary to indicate in which operas Chaliapin played the main parts. It is worth noting that there are many of them. Opera "Pskovityanka" became one of the most significant in his career. However, he became famous in a number of other outstanding productions. During this period, he considered his main repertoire to be a Russian opera, which he especially valued, and attached great importance to the development of the world musical theater. Contemporaries noted that the popularity of the singer was due not only to his amazing vocal data, but also to artistry, the ability to get used to the role and voice all the tiniest intonations.

Critics noticed that he perfectly felt the musical language of the performed works. In addition, Chaliapin was an excellent theater artist, that is, with the help of facial expressions and gestures, he passed all the psychological features of the depicted character. The singer had a talent for reincarnation. For example, he could play several roles in one play. Fyodor Shalyapin became famous for this skill.

"Boris Godunov" - an opera in which he sang the parties of the king and monk Pimen. His performance was very expressive, as for each role he was able to find a new musical language. Mussorgsky was his favorite composer.

Episodes

Chaliapin's voice is a high bass. And although he was famous for his performance in the first place of dramatic parties, he nevertheless had a good sense of humor, and as a great artist he played comic roles perfectly, for example the role of Don Basilio in the opera The Barber of Seville.

His talent was multifaceted: he sang superbly and in episodic parts, as, for example, in the opera of Glinka. In addition to playing the main role in the play "Life for the Tsar", he played the role of one of the heroes in his other work. This small mise en scene was positively marked by critics who said that the artist managed to accurately convey the image of a boastful warrior.

Another small but significant role is the party of the Varangian guest who became the singer's calling card and the image of the miller from another fairy-tale opera. Nevertheless, the basis of his repertoire continued to remain serious dramatic parties. Here, it is necessary to single out the work in the opera "Mozart and Salieri". This work is chambered and differs from those performances in which he had previously participated. Nevertheless, Chaliapin showed himself here as a great artist, having performed the bass line perfectly.

In the first decades of the 20th century

On the eve of the first Russian revolution, the singer was already very popular. At this time he sings songs from folk songs, which received a special sound in his performance. Particularly famous was the song "Dubinushka", which the workers gave a revolutionary sound. After the Bolsheviks came to power in 1917, Shalyapin became the de facto head of the Mariinsky Theater with the conferment of the title of People's Artist of the Republic. However, due to frequent foreign tours and donations in favor of the children of emigrants, he was suspected of sympathy for the monarchy. Since 1922 the singer lived and toured abroad, for which he was deprived of the title of People's Artist.

Emigration

In 1920-1930-s the singer actively toured, speaking not only with domestic, but also with foreign repertoire. When characterizing this period of his work, you should indicate in which operas Chaliapin played the main parts. So, specially for him the French composer J. Massenet wrote the opera "Don Quixote". The singer played this role and starred in the film of the same name.

Chaliapin died in 1938 from a serious illness, was buried in France, but then his ashes were transported to our country. In 1991, he was posthumously returned to the title of People's Artist.