How to draw a horse in the era of a car

The horse today has ceased to be everyday routine. Without it, at first glance, it could be completely dispensed with. The pleasure of riding a horse today can afford either hereditary aristocrats, or very wealthy people. But this animal is next to a person throughout its history. Painted horses are abundantly represented in all collections of world art. But wondering how to draw a horse, one must clearly understand the complexity of this task. The fact is that the best artists of mankind have tried to do this to us with varying success for many centuries. Some have succeeded. For a long time already there is not in this world either these artists, or those horses that they portrayed. But their work lives, and the horses on them somewhere skip or just peacefully graze in the meadow. And they do not resemble one another - in their individuality and character of the horse, people are not inferior at all.

But still try to draw a horse. The complexity of the task will not stop us. The sequence and stage-by-stage achievement of the goal is important. Of course, before you start, you should study and analyze the animal in detail . How to draw a horse? And gradually, from simple to complex. Preliminarily estimating the overall layout of the picture - with light strokes we outline the contours of the main volumes of the animal. Body, neck, head. Extremities.

At the first stage of drawing, we do not pay attention to small things, we take into account only large volumes and their proportional relations. It is very important to understand, at least in general terms, the basic anatomical structure. Our task - to understand how to draw a horse - will remain unfulfilled, if we do not understand all these details in detail. In particular, it is very difficult for a horse to understand hooves and joints on the front and hind legs. If all this is not to delve into - our horse, if it keeps on its feet, it will look very unconvincing.

And in order to understand all this, it will not be superfluous to see the reproductions of the works of the classics, from the Hermitage, the Louvre Museum and the Tretyakov Gallery. After all, their work they very well answered the question of interest to us - "How to draw a horse?". Communicating with the works of the classics of the genre, we continue working on the drawing. We study the details and nuances, outline the amount of chiaroscuro, try to isolate the main thing and not be distracted by the secondary.

We generalize the drawn

At the final stage of the work we try to look at the whole drawing, without being distracted by small details. We generalize the image with wide, dynamic strokes. We try to give the figure of the horse movement. Emphasize the character and convey the mood. We analyze our mistakes in order to avoid them in further work. We compare our drawing with the way the painted horses look in the graphic images of the classics. We feel the difference and draw conclusions.

We will assume that in the first approximation we have coped with the answer to the question of how to draw a horse. And further progress depends only on our desire to move forward. And the difficulties will not stop us!