Arpeggio is what? The main varieties and methods of execution

All those who are engaged in learning to play a musical instrument, necessarily learn the reception in the form of a certain sequence of notes, called the term "arpeggio". But many ordinary listeners, far from understanding the basic canons of music, also face this concept. Arpeggio is one of the most interesting techniques used in musical accompaniment, which adds some sensuality to the music. Next, we will consider the main aspects associated with this game reception.

Arpeggio is what?

First, let's look at the official interpretation. If you proceed from the definitions presented in music theory, the arpeggio is a chord decomposition into sounds that are not extracted together, as if the whole chord sounded, but are played sequentially one by one, quickly replacing each other. This creates the effect of a kind of overflow. And it is not necessary that the notes that make up this sequence form a chord (it can be arbitrary).

It is believed that the arpeggio is a musical technique that was first used by the Italian composer Domenico Alberti, who used arpeggiated sequences to accompany the bass line. And the name of this technique comes from the word "arpo", meaning the musical instrument of the harp or the process of playing it on it. And after all, it's true - on the harp string strings in the form of a rapid successive transition on a certain number of notes are found most often.

Designation on a musical mill

When recording notes in a musical score, several notations can be used to indicate arpeggios. In the simplest case, if the length of the notes allows, the arpeggio can be recorded on the musical camp solely in the form of their sequence.

However, most often a full chord is indicated, in front of which there is a vertical wavy line or a semicircular sign, which is usually used for glowed notes. In the case where it is supposed to perform arpeggios from the constituent notes of several chords, the chord itself can be indicated, and above it - the Latin notation of reception (arpeggio).

Arpeggio on the piano as the development of the technique of the game

For pianists arpeggios can be called not only a technique that brings new colors to the performance of a musical work, but also one of the main techniques for the development of the technique of the game, the fluency of the fingers, etc.

As a simple example, let's look at the C-major arpeggio. The notes in the classical ascending version have a sequence in the form of pre-mi-sol-do (through the octave) and further. Downward reception implies the reverse sequence. Thus, it is easy to conclude that the arpeggio can be conditionally divided into ascending and descending.

But you can play the piano with both hands. In this case, and the arpeggio in any sequence can sound with an interval of an octave or two. In addition, separately separate and divergent arpeggios, which when a certain position on the keyboard (most often the first-second octave), are beginning to be executed in different directions (left hand down, right up). At the same time, an ascending sequence is played first, in the middle - a divergent one, then converging to the same position on the keyboard, then - again ascending, finally - descending to the same place, again diverging and convergent, and finally - descending to the point of origin.

Guitar arpeggios

But the arpeggios are so good that it is not necessary to fit within the framework of one single chord and a clear sequence of taking notes. This is best demonstrated by the arpeggio on the guitar, which is often referred to as a search. But everyone has heard of this reception.

It's interesting that guitar arpeggios can perform not only as accompaniment, but also as solo parts, which is quite often heard in Spanish music. In the modern world, this technique is often used by rock guitarists. This is especially noticeable in such grants as Yngwie Malmsteen, Steve Vai and many others.

Anyone who is just starting to learn how to play the guitar on his own, after all, in the first place, he is trying to learn how to sort and fight. And the arpeggio even in the simplest performance with one fixed chord used develops the technique of the fingers of the right hand.

In the case of performing more complex sequences, the fingers of the left hand are also connected. Sometimes a percussion technique called tapping is used. And this is not only the technique of moving fingers on the neck.

Conclusion

It remains to add that the value of such an approach can not be underestimated. Not only does he add unique colors to the music, but also very strongly develops the technique of performing them on any musical instrument. It is not surprising that in musical schools the mastery of the arpeggio is given paramount importance along with gamma. Well, as for the musical significance of this device, there is no need to speak at all. This, as they say, is not discussed.