The meaning of the word "image": details of the abstract

The meanings of the word "image" can not be put into a single formulation, since the concept is both material, and metaphysical, and semantic oboslivayuschee.

Interpretation of the image

Here so describe the essence of the word different dictionaries:

• Philosophical reading: the image is the form, essence, ideal of the original representation of objects in human consciousness;
• External appearance, as it is;
• In the artistic reading in the explanatory dictionary, the meaning of the word "image" is understood as a model for imitation or censure, a very characteristic character; The idea of someone specific, by transferring the features of his personality to objects, people;
• Representation of something;
• Icon-painting - here the meaning of the word "image" means the face of the depicted saint;
• Visible, warmed in the imagination.

In our time to determine the meaning of the word "image" means to delve into the description of the appearance or an explanation of the nature of someone's thinking: the female image, the image of his thoughts (behavior).

The image in the ancient Slavonic culture

With abstract reasoning that there is an image, the specifics are not needed, because first of all this is a mental perception. The image of evil and deceit was outlined by our distant ancestors in the form of dragons and all kinds of monsters, the image of the entire Russian people - in the epic heroes, each of them also characterized by individual traits, therefore, images.

The lexical meaning of the word "image" is the image that gives an idea of the appearance, character and basic features of the individual's personality - meets all the canons for transferring this concept to the formation of folk tales. The main purpose of figurative presentation is to facilitate understanding of the topic by using symbolic signs. So, God, in a figurative representation, is always male, but an exemplary disciple, "botanist" - in big glasses.

The decoding of the word in the Old Slavic alphabet is subordinated to the usual rule of dividing the meaning into sub-meanings:

• O - like, like, like.
• B - God, the essence.
• R - ra, sun, radiance.
• Azi is a human being.

In other words, only a person like the radiance (bright personality) can achieve the vision of true images.

Where the Image is born

The image is born in the mental perception by the transfer of feelings, sensations, internal needs for real objects. So, a handsome young man could be portrayed as an angel, and a sick child in the form of a vicious life of generations. Every person who has the ability to think abstractly, there is a need to subordinate certain images.

Thinking, devoid of abstraction, is the brightest sign of mental retardation. A person whose consciousness is limited by the actual existence of the present moment is in no way different from the animal according to the mental state.

Force of the Image

Because the metaphysical meaning of the word "image" is a concept that does not require a real shell, its power is enormous, because it is based on an infinite vacuum vacuum. Out of the emptiness of this thought process, a Form is created, filled with psychokinetic density, like a vessel with water. In the filling of the Form there is everything, whatever the creator wants - the characteristic features, the stuffiness of the negative or positive core (classical characters are not "average" - they are either good or bad).

As the Form obtains personality traits, it becomes virtually independent. From the moment when the existing image leaves the void, of which it is no longer part, it begins to form its own space around itself, to become overtaken by actions, friends, enemies.

The creation of a person's own image goes through the same process, but it has an effect on the physical body, which means it requires constant replenishment in the form of real actions. In other words, creating an image of a business person, an individual will have to change the wardrobe to a solid one, buy an expensive car, etc.

Artistic image

At the beginning of any storyline is the idea. As a rule, the idea is embodied by the intention of transferring some action around which a tangle of events is already growing, a lot of faces and places where the scenes unfold. Each element of this complex system representation has a chance to incarnate in an artistic manner. The meaning of the word here is attached to the aesthetic presentation: in the image of autumn there will be a yellowing leaf falling into the pond, and the image of a chance meeting may be the smell of lavender water accompanying the heroine.

In other words, the phenomenon is penetrating and well-responding perception will necessarily become a symbolic image of a short scene, episode or whole book. Often novels and novels are created, the real purpose of which is the description of one dialogue laid in the deep basis of the whole plot, or some picture that arose in the author's brain and demanded an incarnation.

The action of the artistic image

The main criterion by which an artistic image can be considered ergonomically presented is the aura of understatement with apparent integrity and observance of typicality. Atypical incarnations also take place in the treasury of creative research, but, not responding to real situations, without finding an echo in the mind of a person, they run the risk of not forming into the full meaning of the word "image."

The action of the heroes can be transferred to another planet or to the bowels of the earth, but if the modulation of events does not distort the universal values and vices, that it is bad to lie, and it is good to help one's neighbor, the typical orientation of the reader or viewer will not require a rethinking.

The understatement, as if accidentally not traced elements in the description of characters, the terrain of the development of events, is the key that enables an outside observer to independently make a survey.

In many respects it is thanks to competently designed character traits that classic characters like Gogol's Plyushkin or Alisa's fox from "Pinocchio" have been representing generations of extreme stinginess and dodgy cunning for several generations.