Bazarov's attitude to nature. "Fathers and Sons": Bazarov's Characteristics

Turgenev, himself of noble origin, intended to portray his character as unattractive, to focus readers' attention on the soullessness of the nihilists. And Bazarov's attitude to nature is the brightest marker of the author's idea.

History of creation

Ivan Sergeevich Turgenev is a writer whose contribution to the development of Russian literature of the 19th century is almost invaluable. And it's not for nothing that the novel "Fathers and Sons" is a program work of the writer.

In the summer of 1860, the novel was conceived. Turgenev first mentions it in a letter to EE Lambert and talks about his idea as a "great story". The writer plans to finish the work quickly, but he manages to do it six months later. As a result, the novel was completed in July-August 1861.

But the final preparation for publication is completed only in 1862. More Turgenev novel did not rule, only eliminated typos.

Turgenev's opinion about his novel

One of the editions of "Fathers and Children" was written by the author specially to VG Belinsky. This Turgenev declared loyalty to ideas associated with the name of the great Russian critic, and the baselessness of the accusations that were thrown in his address by the Russian revolutionary democrats who believed that in the image of Bazarov Turgenev wanted to portray them precisely. In addition to dedication, Turgenev wanted to put the preface to the novel, but his friends dissuaded him.

The discussion of the novel

The novel had a big resonance in society. Almost all the newspapers responded to the publication of the article with articles and essays.

"Fathers and children" caused a lot of disagreement among both Turgenev's supporters and political opponents. Selecting heroes as a materialistic democrat, rejecting noble traditions and proclaiming new principles of relations between people, the writer managed to show the universal value of these new ideals, which are only just beginning to emerge. Bazarov - a hero of a new generation, he aroused interest and caused controversy.

Thus, Turgenev reflected in his novel the conflict of his era, posing a number of problems, primarily about the role and character of the "new man", the man-figure.

The system of images of the novel

The protagonist of "Fathers and Children" became a mouthpiece for the ideas of revolutionary democracy, as Turgenev conceived. Bazarov is opposed to liberals from the nobility. His image is the key in the composition of the novel, all events, one way or another, are connected with it.

All the actors of the work are revealed only through interaction with Bazarov, and at the same time they will always emphasize or emphasize the personality of the protagonist. To reveal their image is necessary to emphasize Bazarov's mind, his superiority, strength of soul, loneliness, from which he suffers in the environment of the aristocracy.

The image of Bazarov

The plot is based on Bazarov's clash with the aristocratic world. The world of the novel "Fathers and Sons" is relevant for contemporaries. Bazarov, whose characteristic speaks of him as a hero of his time, is a raznochinets, a democrat, a working man. He is far from aristocratic conventions and etiquette.

In a collision with other characters, Bazarov's best qualities are manifested. Disputes with Pavel Petrovich reveal the depth of the judgments, the maturity of the mind, hatred of slavery and the gentility. Friendship with Arkady is the ability to convince others of their righteousness, to be a mentor.

Yevgeny Bazarov is an independent, proud person who does not bow before the authorities. The main thing for him is to comprehend. When Bazarov speaks about nature, it immediately reveals the nature of the scientist, which was typical of the sixties. He must be examined, understood and applied, and not thoughtlessly contemplated.

Turgenev conducts his hero through trials: first with love, then with death. Falling in love with Odintsov, a woman proud and bold, Bazarov forgets about nihilism, he gives himself completely to the feeling. But on the verge of death, he is again faithful to himself and fearlessly ready to accept death. It is in this scene, the last scene for Bazarov, that the whole strength of his soul manifests itself, the firmness of his convictions and aspirations.

Bazarov's attitude to nature

"Nature is not a temple, but a workshop, and the person in it is an employee" - this phrase embodies the whole essence of the relationship of the protagonist to the world. He does not see beauty in nature, and does not see it anywhere, because the main thing is the good and the business.

Bazarov's attitude to nature is unique - for him it is a workshop. Nature was created not for empty admiration, but for studying, transforming, changing as needed. The only thing that can shake this confidence is love. A nihilist can not love, because he denies the very feeling. But with the advent of Odintsovo, the world is changing, it is no longer just a workshop.

Bazarov and Odintsov

The love line is of great importance for the novel "Fathers and Sons". Bazarov, whose description before the meeting with Anna Odintsova was unambiguously nihilistic, changes to the completely opposite. His ideals are collapsing, ideas about the world are being transformed, he begins to doubt himself and his convictions.

Anna, an intelligent and beautiful woman, immediately attracts Bazarov's attention, he feels in her a kindred spirit. After a conversation with her, the hero realizes that he fell in love. Odintsova reveals herself as a person with her own convictions and views, she can talk on equal terms and not give in to Evgeny in anything.

Recognition of Bazarov in love is depicted by Turgenev very dramatically. Odintsova first invites Eugene to the conversation heart to heart, it gradually becomes clear that she is in love with him. But Anna achieves that he made the confession first.

At that moment Bazarov is torn by contradictions: he loves and is angry at the same time. As a nihilist he can not accept love, it will make him insignificant and pitiful. For him, a strong personality, love means to succumb to weakness, to become weak-willed. But gradually understanding comes to him that he can no longer resist this "illness".

Love plunges into the collapse of Bazarov's theory and leads to disappointment in himself. However, at this moment he is most worried by the fact that Odintsov will not decide on mutual feelings.

Eugene's fears were justified, they were only friends.

Conclusion

The image of nature for Turgenev's work has always been significant. Remember at least the "Notes of a Hunter", where many paragraphs are devoted to its descriptions. Therefore, Bazarov's attitude toward nature speaks volumes. The author focuses on the insensitivity of the hero, and then brings him to love, and then it becomes clear that all this is fake. Negation of beauty is for Eugene self-deception.