AK Lyadov. Biography of the composer

AK Lyadov - one of the outstanding composers of Russia at the turn of the two centuries, XIX and XX. He was a student, and later a fellow-thinker of N. Rimsky-Korsakov, and he taught S. Prokofiev and N. Myaskovsky.

AK Lyadov. Biography: the first years of life

The future composer was born in May 1855 in St. Petersburg. And all his subsequent life will be connected with this city. Anatoly's interest in music can not be called an accident. His father was a conductor of the Russian opera, he worked at the Mariinsky Theater. Since childhood, the boy knew the whole repertoire, and in his youth himself was an extras at the plays. The play on piano was taught by Anatoly his aunt by mother, Antipov VA However, these were irregular classes. Life Liadova in his childhood was very unsettled: when he was 6 years old, his mother died, his father led a rather chaotic life. This was the reason for the formation in him of not too good qualities: lack of will, lack of assimilation. They had a very negative impact on the creative process in the future.

Biography of Lyadov AK: student years

From 1867 to 1878 Anatoly studied at the Conservatory of St. Petersburg. His teachers were such celebrities as J. Johansen, N. Rimsky-Korsakov, A. Dubasov, F. Beggrov. He graduated from the conservatory Lyadov brilliantly. With the assistance of N. Rimsky-Korsakov, during the student's time, Anatoly maintained friendly relations with the "Mighty Handful" - a community of composers. Here he joined the ideals of creativity and realized himself to be a Russian composer. Soon this association disintegrated, and Lyadov moved to a new one - the Belyaev Circle. Together with Glazunov and Rimsky-Korsakov, he immediately began to lead the process: select, edit and publish new works.

AK Lyadov. Biography: the conservatism of the composer

As an artist Anatoly Konstantinovich formed early enough. And in the future all his activities are not marked by any sharp transitions. Outwardly, Liadov's life looked calm, stable and even monotonous. He seemed to be afraid of some kind of change for the worse, and therefore fenced off from the world. Perhaps, he lacked strong impressions for creative activity. The smooth course of his life was violated only two trips: in 1889 in Paris at the World Art Exhibition, which was performed and his writings, and in 1910 - in Germany.

AK Lyadov. Biography: private life

Here the composer did not allow anyone. Even from his closest friends, he concealed his own marriage to NI Tolkacheva in 1884. He did not introduce his wife to anyone, although later he lived with her all his life and brought up two sons.

AK Lyadov. Biography: creative productivity

Contemporaries reproached him for not writing a lot. In part, this was due to material insecurity and the need to earn money: he spent a lot of time teaching. In 1878, Liadov was invited to the post of professor at the Conservatoire, and he worked in this school until the end of his life. In addition, since 1884 the composer taught in the singing chapel at the court. His students were Myaskovsky, Prokofiev. Liadov himself admitted that he composed in small intervals between teaching. Since 1879, he also worked as a conductor. In the early period, the most original one was the cycle of "Spillikins" he created. By the end of the 80s, Liadov proved himself to be a master of miniature art. The top of the chamber form can be considered his preludes. This genre was the closest to his worldview. From 1887 to 1890 he wrote three notebooks of "Children's Songs." Their basis was the ancient texts of jokes, spells, and suggestions. In the 1880s the composer also began to study Russian folklore. In total, he processed 150 folk songs.

AK Lyadov is a composer. Biography: recent years

During this period of his life, the composer's symphonic masterpieces appeared. They brilliantly confirmed his creative evolution. From 1904 to 1910, Lyadov created "Kikimoru", "Magic Lake" and "Babu Yaga." They can be considered both as independent works, and as an artistic triptych. In the sphere of symphonic music, the composer's last work, his "swan song", was the "Sorrowful Song" ("Keshe"). It is associated with the images of Maeterlinck. This confession of the soul completed the work of Liadov. And soon, in August 1914, his earthly journey ended.